William Tell - Netflix

Set in the fourteenth century during the hostile Austrian occupation of Switzerland, William Tell is a reluctant freedom fighter, battling heroically against the tyranny and oppression of the invading forces

William Tell - Netflix

Type: Scripted

Languages: English

Status: Ended

Runtime: 30 minutes

Premier: 1958-09-15

William Tell - William Tell Overture - Netflix

The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), whose music was composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music). The overture is in four parts, each following without pause. There has been repeated use (and sometimes parody) of parts of this overture in both classical music and popular media, most famously as the theme music for The Lone Ranger in radio, television and film. Two different parts were also used, as theme music for the British television series The Adventures of William Tell, the fourth part (popularly identified in the USA with The Lone Ranger) in the UK, and the third part, rearranged as a stirring march, in the US. Franz Liszt prepared a piano transcription of the overture in 1838 (S.552) which became a staple of his concert repertoire. There are also transcriptions by other composers, including versions by Louis Gottschalk for two and four pianos and a duet for piano and violin.

William Tell - Structure - Netflix

The overture, which lasts for approximately 12 minutes, paints a musical picture of life in the Swiss Alps, the setting of the opera. It was described by Hector Berlioz, who usually loathed Rossini's works, as “a symphony in four parts.” But unlike an actual symphony with its distinct movements, the overture's parts transition from one to the next without a break. Prelude: Dawn The prelude is a slow passage in E major, scored for five solo cellos accompanied by double basses. It begins in E minor with a solo cello which is in turn 'answered' by the remaining cellos and the double basses. An impending storm is hinted at by two very quiet timpani rolls resembling distant thunder. The section ends with a very high sustained note played by the first cello. Its duration is about three minutes. Storm This dynamic section in E minor is played by the full orchestra. It begins with the violins and violas. Their phrases are punctuated by short wind instrument interventions of three notes each, first by the piccolo, flute and oboes, then by the clarinets and bassoons. The storm breaks out in full with the entrance of the French horns, trumpets, trombones, and bass drum. The volume and number of instruments gradually decreases as the storm subsides. The section ends with the flute playing alone. It also lasts for about three minutes. Ranz des vaches This pastorale section in G major signifying the calm after the storm begins with a Ranz des vaches or “Call to the Cows”, featuring the cor anglais (English horn). The English horn then plays in alternating phrases with the flute, culminating in a duet with the triangle accompanying them in the background. The melody appears several times in the opera, including the final act, and takes on the character of a leitmotif. Its duration is a little more than two minutes. This segment is often used in animated cartoons to signify daybreak, most notably in Walt Disney's The Old Mill. Finale: March of the Swiss Soldiers The finale, often called the “March of the Swiss Soldiers” in English, is in E major like the prelude, but it is an ultra-dynamic galop heralded by trumpets and played by the full orchestra. It alludes to the final act, which recounts the Swiss soldiers's victorious battle to liberate their homeland from Austrian repression. The segment lasts for about three minutes. Although there are no horses or cavalry charges in the opera, this segment is often used in popular media to denote galloping horses, a race, or a hero riding to the rescue. Its most famous use in that respect is as the theme music for The Lone Ranger; that usage has become so famous that the term “intellectual” has been defined as “a man who can listen to the William Tell Overture without thinking of the Lone Ranger.” The Finale is quoted by Johann Strauss Sr. in his William Tell Galop (Op. 29b), published and premiered a matter of months after the Paris premiere of the original, and by Dmitri Shostakovich in the first movement of his Symphony No. 15.

William Tell - References - Netflix