Still The King - Netflix

Still The King features Billy Ray Cyrus as Vernon Brownmule, aka "Burnin' Vernon," a scandal-ridden, washed-up, one-hit-wonder who was kicked out of country music, only to emerge 20 years later as the second best Elvis impersonator around. After crashing into an old country church sign during a drunken bender, he is arrested and sentenced to return and serve as the church's handyman as part of his parole. Along the way, he pretends to be the congregation's new minister and reconnects with a former one-night-stand, when he learns he has a 15-year-old daughter he's never met.

Still The King - Netflix

Type: Scripted

Languages: English

Status: Running

Runtime: 30 minutes

Premier: 2016-06-12

Still The King - The Lion King - Netflix

The Lion King is a 1994 American animated epic musical film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. It is the 32nd Disney animated feature film, and the fifth animated film produced during a period known as the Disney Renaissance. The Lion King was directed by Roger Allers and Rob Minkoff, produced by Don Hahn, and has a screenplay credited to Irene Mecchi, Jonathan Roberts, and Linda Woolverton. Its original songs were written by composer Elton John and lyricist Tim Rice, with a score by Hans Zimmer. The film features an ensemble voice cast that includes Matthew Broderick, James Earl Jones, Jeremy Irons, Jonathan Taylor Thomas, Moira Kelly, Nathan Lane, Ernie Sabella, Rowan Atkinson, Robert Guillaume, Madge Sinclair, Whoopi Goldberg, Cheech Marin, and Jim Cummings. The story takes place in a kingdom of lions in Africa and was influenced by William Shakespeare's Hamlet. The Lion King tells the story of Simba, a young lion who is to succeed his father, Mufasa, as King of the Pride Lands; however, after Simba's uncle Scar (Mufasa's jealous younger brother), murders Mufasa, Simba is manipulated into thinking he was responsible and flees into exile. Upon maturation living with two wastrels, Simba is given some valuable perspective from his childhood friend, Nala, and his shaman, Rafiki, before returning to challenge Scar to end his tyranny and take his place in the Circle of Life as the rightful King. Development of The Lion King began in 1988 during a meeting between Jeffrey Katzenberg, Roy E. Disney, and Peter Schneider while promoting Oliver & Company in Europe. Thomas Disch wrote a film treatment, and Woolverton developed the first scripts while George Scribner was signed on as director, being later joined by Allers. Production began in 1991 concurrently with Pocahontas, which wound up attracting most of Disney's top animators. Some time after the staff traveled to Hell's Gate National Park in Kenya to research on the film's setting and animals, Scribner left production disagreeing with the decision to turn the film into a musical and was replaced by Minkoff. When Hahn joined the project, he was dissatisfied with the script and the story was promptly rewritten. Nearly 20 minutes of animation sequences were produced at Disney’s Hollywood Studios theme park in Florida. Computer animation was also used in several scenes, most notably in the wildebeest stampede sequence. The Lion King was released on June 15, 1994, to a positive reaction from critics, who praised the film for its music, story, and animation. With a worldwide gross of $766 million, it finished its theatrical run as the highest-grossing release of 1994 and the second highest-grossing film of all time. It is also the highest-grossing traditionally animated film of all time. The Lion King garnered two Academy Awards for its achievement in music and the Golden Globe Award for Best Motion Picture – Musical or Comedy. The film has led to many derived works, such as a Broadway adaptation; two direct-to-video follow-ups—the sequel, The Lion King II: Simba's Pride (1998), and the prequel/parallel, The Lion King 1½ (2004); two television series, Timon and Pumbaa and The Lion Guard; and a 3D re-release, in 2011. In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”. A CGI remake of the film directed by Jon Favreau is scheduled for a July 19, 2019 release in the United States.

Still The King - Critical response - Netflix

The Lion King was released to critical acclaim. On Rotten Tomatoes, the film holds a rating of 93%, based on 122 reviews, with an average rating of 8.4 out of 10. It also ranked 56th on their “Top 100 Animation Movies”. The site's critical consensus reads, “Emotionally stirring, richly drawn, and beautifully animated, The Lion King stands tall within Disney's pantheon of classic family films.” On Metacritic, the film has a score of 83 out of 100, based on 14 critics, indicating “universal acclaim”. CinemaScore reported that audiences gave the film a rare “A+” grade. Roger Ebert gave it 3 1/2 out of 4-stars and called the film “a superbly drawn animated feature” and, in his print review wrote, “The saga of Simba, which in its deeply buried origins owes something to Greek tragedy and certainly to Hamlet, is a learning experience as well as an entertainment.” On the television program Siskel & Ebert, the film was praised but received a mixed reaction when compared to previous Disney films. Ebert and his partner Gene Siskel both gave the film a “Thumbs Up” but Siskel said that it was not as good as earlier films such as Beauty and the Beast and was “a good film, not a great one”. Hal Hinson of The Washington Post called it “an impressive, almost daunting achievement” and felt that the film was “spectacular in a manner that has nearly become commonplace with Disney's feature-length animations”, but was less enthusiastic toward the end of his review saying, “Shakespearean in tone, epic in scope, it seems more appropriate for grown-ups than for kids. If truth be told, even for adults it is downright strange.” Owen Gleiberman of Entertainment Weekly praised the film, writing that it “has the resonance to stand not just as a terrific cartoon but as an emotionally pungent movie”. Rolling Stone film critic Peter Travers praised the film and felt that it was “a hugely entertaining blend of music, fun and eye-popping thrills, though it doesn't lack for heart”. James Berardinelli from ReelViews praised the film saying, “With each new animated release, Disney seems to be expanding its already-broad horizons a little more. The Lion King is the most mature (in more than one sense) of these films, and there clearly has been a conscious effort to please adults as much as children. Happily, for those of us who generally stay far away from 'cartoons', they have succeeded.” Some reviewers still had problems with the film's narrative. The staff of TV Guide wrote that while The Lion King was technically proficient and entertaining, it “offers a less memorable song score than did the previous hits, and a hasty, unsatisfying dramatic resolution.” The New Yorker's Terrence Rafferty considered that despite the good animation, the story felt like “manipulat[ing] our responses at will”, as “Between traumas, the movie serves up soothingly banal musical numbers and silly, rambunctious comedy”.

Still The King - References - Netflix