Driving Wars - Netflix
Think you're a hotshot driver? Clean-up on driving games on your console and think you can handle the real thing? It's time to step up to the simulator to test your mettle.
Driving Wars is presented by Colin Murray. The show is a competition that mixes video games with real life motorsport.
Type: Game Show
Runtime: 60 minutes
Driving Wars - Star Wars: The Force Awakens - Netflix
Star Wars: The Force Awakens (also known as Star Wars: Episode VII – The Force Awakens) is a 2015 American epic space opera film produced, co-written and directed by J. J. Abrams. It is the first installment of the Star Wars sequel trilogy and the seventh main installment of the Star Wars franchise, following Return of the Jedi (1983). The film stars Harrison Ford, Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong'o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Peter Mayhew, and Max von Sydow, and was produced by Lucasfilm Ltd. and Abrams' production company Bad Robot Productions. The Force Awakens is the first Star Wars film to not involve franchise creator George Lucas. Set 30 years after Return of the Jedi, the film follows Rey, Finn, and Poe Dameron's search for Luke Skywalker and their fight alongside the Resistance, led by veterans of the Rebel Alliance, against Kylo Ren and the First Order, a successor to the Galactic Empire. The Force Awakens was announced after The Walt Disney Company's acquisition of Lucasfilm in October 2012. The film was produced by Abrams, his longtime collaborator Bryan Burk, and Lucasfilm president Kathleen Kennedy. Abrams and Lawrence Kasdan, co-writer of the original trilogy films The Empire Strikes Back (1980) and Return of the Jedi (1983), rewrote an initial script by Michael Arndt. John Williams, the composer for the previous six films, returned to compose the film's score. Lucas served as creative consultant during the film's early production. Filming began in April 2014 in Abu Dhabi and Iceland, with principal photography also taking place in Ireland and Pinewood Studios in the United Kingdom, and concluded in November 2014. It is the first live-action Star Wars film since Revenge of the Sith (2005). Star Wars: The Force Awakens was widely anticipated, and Disney backed the film with extensive marketing campaigns. It premiered in Los Angeles on December 14, 2015 before its wide release in the United States on December 18. The film received positive reviews from critics, with praise aimed at its ensemble cast, Abrams' direction, musical score, visual effects, and action sequences, although it received criticism for being derivative of the original trilogy. The film broke various box office records and became, unadjusted for inflation, the highest-grossing installment in the franchise, the highest-grossing film in North America, the highest-grossing film of 2015, and the third-highest-grossing film of all time, with a worldwide gross of over $2 billion and a net profit of over $780 million. It received five Academy Award nominations and four British Academy Film Award nominations, where it won the award for Best Special Visual Effects. It was followed by The Last Jedi in December 2017, with a third film scheduled for release in 2019.
Driving Wars - Theatrical run - Netflix
The Force Awakens was released in the United States and Canada on December 18, 2015. It made a record-breaking $57 million from Thursday night previews, of which IMAX screenings generated a record-breaking $5.7 million from 391 screens. On its opening day, the film grossed $119.1 million, marking the biggest single and opening day record and the first time a film has earned more than $100 million in a single day. Without Thursday night grosses, the film earned the second largest opening-day gross ($62.1 million). In total, it earned a record $247,966,675 (surpassing the original Sunday weekend estimate of $238 million by almost $10 million) for its opening weekend from around 14,400 screens at 4,134 theaters, for an average of $59,982 per theater (or $17,220 per screen). The debut was 19% bigger than the previous record holder(s) Marvel's The Avengers ($207 million) and Jurassic World ($208 million). The opening weekend figure included an IMAX opening-weekend record of $30.1 million (12.65%) from 391 IMAX theaters, which nearly amounts to the $252.5 million total earned by Return of the Jedi – the 2nd lowest-grossing film in the series – in its original run. Minus the $57 million it earned from Thursday previews, the film earned $190.8 million on straight Friday to Sunday, giving it an average of $63.6 million per day. 2D screenings accounted for 53% of the total opening gross while 3D accounted for 47%. RealD 3D comprised $78 million of the opening gross, setting a new record. Other records set by the film include the biggest weekend per-theater average for a wide release ($59,982 per theater from 4,134 theaters), biggest holiday opening, biggest PG-13 rated opening, and biggest December opening. The opening-weekend audience was evenly split among those under and over the age of 25, with 58% of the audience male, 71% adults, 20% families and 9% teenagers. Internationally, the film was released in over 30,000 screens. It opened on December 16, 2015 in 12 international markets and earned $14.1 million on its opening day, debuting at first place in all of them. It expanded in an additional 42 countries on December 17, generating $58.6 million for a two-day international total of $72.7 million, reaching first place in all 44 markets. It grossed a total of $129.5 million in three days after adding $56.8 million on its third day, topped the daily box office in all countries except for South Korea and Vietnam where it was the second, and set a new midnight record in the United Kingdom with $3.6 million. It broke opening day records in the UK, Ireland and Malta ($14.3 million), Germany ($7.1 million), Australia ($6.8 million), Sweden ($1.7 million), Norway ($1.1 million) and in 16 other countries. Other markets which generated large opening days were Spain ($3.5 million), Mexico ($3.4 million), Italy ($3.1 million) and Japan ($3 million). After the five days, The Force Awakens had a total international opening gross of $281 million from 30,000 screens in 72 markets, a new record for December opening and the third biggest international opening of all time. International markets generating opening weekend tallies of at least $10 million were the United Kingdom, Ireland and Malta ($50.6 million), Germany ($27.5 million), France ($22.5 million), Australia ($19.6 million) and Japan ($13.4 million) and Russia ($12.3 million). The film had the biggest opening of all time in 18 countries including the United Kingdom, Germany, Australia, Russia and Sweden. IMAX generated $17.9 million from 276 IMAX theaters. After five days, the film had a total worldwide opening record of $529 million from 74 territories, which was the biggest worldwide opening, making it only the second time in cinematic history – after Jurassic World – that a film had opened to more than $500 million globally. This included an IMAX opening record of $48 million. Revenues in the film's second weekend decreased by only 39.8% in the United States and Canada, earning $149.2 million, to remain in first place at the box office and recording the biggest second weekend of all time. Revenues from IMAX dipped slightly, generating $19 million in its second weekend, for a record total of over $70 million in 10 days. Internationally, the film had a steeper decline in its second weekend, falling 51% to $136.9 million. Of the notable major markets, the film had an unsuccessful opening in India where it opened third against two local blockbusters with a mere $1.51 million. As of February 21, the largest markets outside of the United States and Canada are the United Kingdom ($180.7 million), China ($124.5 million), Germany ($109.7 million), Japan ($92.6 million) and France ($88.2 million). The Force Awakens crossed the $1 billion mark on the 12th day of its general release (December 26, 2015), making it the fastest film to reach this mark. It became the twenty-fourth film grossing more than $1 billion worldwide, and the fifth film of 2015 to do so, making 2015 the first year to have five films gross more than $1 billion. The film experienced another decrease in revenue in its third weekend, dropping 39.5% to $90.2 million domestically, remaining in first place at the box office, to set a third-weekend record. On January 2, after just 16 days of release, it became the second film (following Avatar) to gross over $700 million in North America, and on January 6 became the highest-grossing film of all time domestically, doing so in 20 days. On January 9, it became the first film in cinematic history to cross $800 million domestically unadjusted for inflation, and in the same weekend set a Saturday to Sunday opening weekend record for the studio in China with $52.6 million. On January 17, 2016, it passed the $1 billion mark overseas becoming the first film of Disney, the third film of 2015 and the fifth film overall to achieve this feat. It topped the international box office chart for five consecutive weekends, becoming the first film since Avengers: Age of Ultron to have five straight wins, before being dethroned by The Revenant in its sixth weekend. In Japan, it topped the box office for six straight weekends. On February 5, the fiftieth day of release, The Force Awakens became the first film to earn over $900 million, unadjusted for inflation, in the United States and Canada. On the following day, it became the third film in cinematic history to pass $2 billion in ticket sales worldwide (after Titanic and Avatar) and the second in original release (after Avatar). It became the third film to earn over $600 million in Europe. In North America and the United Kingdom and Ireland, it fell outside of the top ten for the first time in its eleventh weekend during the weekend February 26–28, 2016, and in the U.S. it did not achieve $1 million in ticket sales for the first time in its fourteenth weekend.
Driving Wars - References - Netflix