Dark Shadows - Netflix
Dark Shadows is a Remake of the 1966 soap opera of the same name. It starrs Ben Cross as Barnabas Collins.
Runtime: 55 minutes
Dark Shadows - Dark Shadows (Mad Men) - Netflix
“Dark Shadows” is the ninth episode of the fifth season of the American television drama series Mad Men and the 61st episode of the series overall. It was written by Erin Levy and directed by Scott Hornbacher and originally aired on the AMC channel in the United States on May 13, 2012. As a toxic cloud of smog hangs over New York City during Thanksgiving 1966, Betty's bitterness over her weight gain and Megan's youth, beauty, lifestyle, and adoration from Don lead Betty to tell Sally about Anna Draper, in an attempt to cause turmoil amongst Sally, Don, and Megan. Don and Peggy are both irritated by Michael Ginsberg's rising star, and Don takes a devious approach to clip the wings of the cheeky young copywriter. Roger gets handed a new client (Manischewitz) by Bert Cooper, but Roger's decision that he needs more Jewish input to help him prompts him to involve his estranged wife Jane Siegel, with unfortunate results. Pete continues to resent the ending of his brief affair with Beth, the wife of his commuter-acquaintance Howard. “Dark Shadows” received a polarizing reception from television journalists, with some criticizing its treatment of symbols and themes as being too heavy-handed. The episode's themes were pinpointed by many critics as insecurity and jealousy. “Dark Shadows” was viewed by 2.125 million viewers on the night of its original airing and drew 0.7 million viewers in the 18-49 demographic. The episode is titled after the gothic soap opera Dark Shadows, and features a scene of Megan helping her best friend Julia (Meghan Bradley) prepare to audition for a role on the show. The episode aired the same weekend that a film adaptation of the same name opened.
Dark Shadows - Critical reception - Netflix
The episode received polarized reactions from television journalists and bloggers, ranging from positive to negative. Todd VanDerWerff of The A.V. Club gave it a “B” rating, calling it the fifth season's most “scattered” episode. VanDerWerff argued that “the [camera] cut from the hovering smog to the Francis Thanksgiving is not exactly subtle, and I tire of when the show presents Betty as this bruised monster who’s not in control of her own impulses [...] the show has always been at its best when it can harness some degree of sympathy for the woman.” IGN writer Eric Goldman gave the episode an 8 out of 10, and pinpointed the episode's theme as “insecurity”. Paste Magazine writer Bonnie Stiernberg criticized the episode, saying: “It’s not that 'Dark Shadows' wasn’t a good episode—it was. But this week’s theme felt a little heavy-handed; nearly every character’s storyline was dominated by it in an obvious manner.” Maureen Ryan of the Huffington Post called “Dark Shadows” the worst episode of the season, saying: “It was a bad episode of TV. And it was not in a special class of mediocrity that allows it to still somehow remain elevated above the fray. It made the mistakes that much less brilliant shows make. It repeated a lot of themes that we're already very familiar with, it didn't add to them in compelling or imaginative ways, and it featured a character that just doesn't work.” Tim Goodman of The Hollywood Reporter was more forgiving towards the episode, noting: “I’m sure that some of the elements in 'Dark Shadows' will be table-setters for future storylines. It was an episode that seemed to gather itself, make a point while setting up plotlines, then end on time. That's all. There’s no harm in that; such episodes come along at least twice in the season run of very good shows. But there was a heavy-handedness to the thematic illustration of self-interest in the episode – like the writers backed up a truck full of references to selfish behavior and dumped them into the room for ease of use. Mad Men can do better than this, of course. It has, and it will again. Just put the anvil down. We get it.”
Dark Shadows - References - Netflix